Créé par Emilie, le 7 mai 2026
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Visiting Centre Pompidou (Place Georges-Pompidou, 75004 Paris, rated 4.6/5 on Google with over 108,000 reviews) offers a unique immersion into one of the world's most ambitious and singular museums. As soon as you glimpse it from the streets of the Beaubourg district, the aesthetic shock is immediate: a facade bristling with colorful pipes, transparent escalators climbing diagonally, architecture that nothing prepares you to encounter in the heart of old Paris. Inaugurated on January 31, 1977, this cultural colossus imagined by architects Renzo Piano and Richard Rogers revolutionized the very idea of what a museum could be.
Over the decades, Centre Pompidou, also called Beaubourg, has become much more than an exhibition space: it's a place of life, research, debate and creation, visited by millions of curious visitors from around the world. Its permanent collection comprises over 140,000 works, making it Europe's leading modern and contemporary art museum. From Picasso paintings to Louise Bourgeois installations, from Brancusi sculptures to Man Ray photographs, each visit to Centre Pompidou is an adventure through the century.
Note: since September 22, 2025, Centre Pompidou has closed its doors for an extensive renovation that will last until 2030. But this shouldn't prevent you from preparing your next visit, exploring the Beaubourg district during a trip to Paris, or discovering the outdoor events organized as part of the Constellation program. In this article, we guide you through everything you need to know about Beaubourg and what awaits you upon its reopening.
1. The history of Centre Pompidou: from crazy idea to world icon
The history of Centre Pompidou begins with a rare political will: that of endowing Paris with a radically new cultural facility, capable of democratizing access to modern art. It was Georges Pompidou, President of the Republic from 1969 to 1974, a great lover of contemporary art, who took the initiative for this project in 1969. He wanted to create a multidisciplinary place, mixing museum, library, music research center and temporary exhibition spaces. An ambition that had no equivalent in the world at that time.
In 1971, an international architectural competition was launched. It attracted 681 applications from 49 different countries, a record for the time. Among all these projects, it was the duo formed by Italian Renzo Piano and Briton Richard Rogers who won, with a project as provocative as it was innovative. Their idea? To literally turn the building inside out: all technical structures — escalators, water pipes, electrical ducts, ventilation conduits — would be visible on the outside, thus freeing the interior for vast flexible and open spaces. An architectural revolution that many would immediately label as provocation.
Construction began in 1972 in the Beaubourg district, then undergoing full rehabilitation. The construction site lasted five years. On January 31, 1977, Centre national d'art et de culture Georges-Pompidou was inaugurated by President Valéry Giscard d'Estaing — Georges Pompidou, who died in 1974, would not see his dream come true. From opening day, attendance exceeded all predictions: the building received twice as many visitors as expected in the first year. Within months, Beaubourg became one of France's most visited cultural addresses, ahead of the Louvre or Eiffel Tower. Visiting Paris without passing through Beaubourg quickly became unthinkable.
After a major renovation between 1997 and 2000, which modernized the facilities and improved public reception, Centre Pompidou continued to reinvent itself. In 2010, an antenna opened in Metz (Centre Pompidou-Metz), followed by another in Málaga in 2015. The Pompidou brand now exports worldwide, proof that the crazy idea of 1969 succeeded far beyond all expectations.
2. Centre Pompidou architecture: a building that defies all codes
The architecture of Centre Pompidou is, without contest, one of the most singular that one can encounter during a visit to Paris. Renzo Piano and Richard Rogers designed a so-called 'high-tech' or 'bowellist' building, in which all technical structure is exposed for all to see, on the exterior facade. This radical approach frees interior floors from all structural constraints, offering entirely modular spaces over an area of 100,000 m².
The colorful facade follows a precise and carefully thought-out visual language. Blue designates air conditioning ducts. Green, water pipes. Yellow identifies electrical networks. As for bright red, it marks escalators and circulation galleries. This color code transforms the building into a veritable giant infographic, readable from afar, where function dictates aesthetics. An architectural manifesto that greatly influenced the high-tech movement in architecture.
From Place Georges-Pompidou, you can't miss the west facade of the building, entirely clad with the famous 'Caterpillar' — the panoramic escalator in transparent tube that snakes along the facade over the building's full height. By taking this escalator, you benefit from a progressive ascent with increasingly spectacular views over Parisian rooftops. Level by level, the city reveals itself: first the rooftops of Beaubourg, then the dome of Sacré-Cœur, the Eiffel Tower in the distance, Notre-Dame cathedral... A breathtaking panorama before even seeing the first artwork.
On the piazza side, the building is preceded by a vast slightly inclined esplanade that extends to the Stravinsky fountain (Place Igor-Stravinsky, 75004 Paris, rated 4.6/5 on Google for around 16,000 reviews). This lively piazza has always been a popular living space: buskers, jugglers, calligraphers, portrait artists gather there daily, recreating the fairground atmosphere that the architects had imagined for this place. It's one of the most vibrant places in the capital, and its attendance never wanes, even outside the museum's opening hours.
3. What to see during a visit to Centre Pompidou?
Centre Pompidou is a world in itself. On its six levels are articulated spaces with very different purposes, each deserving attention. Here are the must-sees not to miss during your visit.
3.1 The National Museum of Modern Art
The National Museum of Modern Art is the beating heart of Centre Pompidou and one of the world's largest 20th and 21st-century art museums. It occupies levels 4 and 5 of the building and houses a permanent collection of over 140,000 works, of which around 20,000 are regularly presented to the public in renewed displays. It's Europe's leading collection of modern and contemporary art, and the world's second largest, behind New York's MoMA.
Level 5 is devoted to modern art, covering the period from 1905 to 1960. Here we discover the great movements that shaped the 20th artistic century: Fauvism with Matisse and Derain, Cubism with Picasso and Braque, Dadaism, Surrealism with Dalí and Magritte, lyrical abstraction with Kandinsky and Klee, Art Informel and Constructivism. The works follow in chronological and thematic order that allows tracing a living history of modern artistic creation, its ruptures, avant-gardes and utopias.
Level 4 is dedicated to contemporary art, from 1960 to our days. This is where we encounter figures from the international scene: Andy Warhol, Joseph Beuys, Yves Klein, Louise Bourgeois, Christian Boltanski, Sophie Calle... The diversity of mediums is impressive: paintings, sculptures, video installations, documented performances, photographs, sound works. The display changes regularly to highlight different facets of the collection, which means each visit to Centre Pompidou can reveal new surprises, even for regulars.
3.2 Temporary exhibitions
Since its opening, Centre Pompidou has hosted some of the most remarkable exhibitions in contemporary art history. Monumental retrospectives, thematic panoramas, discoveries of young talents: Beaubourg's temporary programming has always been among Europe's most ambitious and eclectic. Exhibitions devoted to Picasso, Kandinsky, Magritte, Warhol, Matisse, Basquiat or Cindy Sherman have attracted hundreds of thousands of visitors.
These exhibitions, installed mainly on level 6 (Gallery 1 and Gallery 2), are the driving force of the museum's cultural news. They give rise to late-night openings on Thursday evenings, extending closure until 11pm to allow workers and night owls to spend the evening surrounded by art. Upon the planned reopening in 2030, this ambitious programming will resume with renewed vigor in entirely renovated spaces.
3.3 Atelier Brancusi
At the north corner of the piazza, at the foot of Centre Pompidou, stands one of Paris's most moving and least known museums: Atelier Brancusi (Place Georges-Pompidou, 75004 Paris, rated 4.5/5 on Google for over 1,400 reviews). This unique space in the world faithfully reconstructs the Parisian studio of Romanian sculptor Constantin Brancusi (1876-1957), bequeathed by the artist to the French State upon his death.
Brancusi, precursor of abstract and modern sculpture, worked his entire life in various studios on Impasse Ronsin, in the 15th arrondissement of Paris. At his death in 1957, he bequeathed the entirety of his studio to the French State, on condition that it be reconstructed identically. This was done in 1997, when architect Renzo Piano — the same as for Centre Pompidou — designed a 600 m² building specifically dedicated to this reconstruction, installed on the piazza. Here we discover 137 sculptures, 87 pedestals, 41 drawings, two cameras and all the studio tools. The atmosphere is particularly striking: you have the impression of entering the creative space of an artist still alive.
Access to Atelier Brancusi is free and independent of the rest of Centre Pompidou. It's one of Beaubourg's best-kept secrets, not to be missed under any circumstances during your visit.
3.4 The panoramic terrace and 'The Caterpillar' escalator
One of the highlights of visiting Centre Pompidou is undoubtedly the ascent to the 6th level panoramic terrace. To reach it, you take the exterior escalator in transparent tube, affectionately nicknamed 'The Caterpillar' for the way it snakes along the facade. The ascent is itself a spectacle: at each level, Paris reveals itself a little more, rooftops multiply, monuments appear on the horizon.
Once at the top, the reward matches the journey: a 360° view over Paris rooftops that ranks among the capital's most beautiful panoramas. In clear weather, you can distinguish the Eiffel Tower, the dome of Sacré-Cœur, the spires of Notre-Dame de Paris, La Défense in the distance and a multitude of monuments that you recognize one after another with renewed pleasure. For visitors wishing to prolong this moment, Restaurant Georges (Place Georges-Pompidou, 6th floor, 75004 Paris) occupies the building's entire top level, offering a culinary experience with breathtaking views over the city. Access to the terrace is included in the museum's standard entrance ticket.
3.5 The Public Information Library (BPI)
Less known to tourists but essential in the original project of cultural democratization wanted by Georges Pompidou, the Public Information Library (75004 Paris) is one of Europe's largest public reading libraries. Installed on levels 2 and 3 of Centre Pompidou, it offers over 320,000 documents in open access — books, periodicals, digital resources, documentary films, language methods — over an area of 8,900 m² with 1,500 seats and 220 computer stations.
BPI was a pioneer in France of the concept of total open-access library, without registration or membership card: anyone can enter, sit down and consult the collections, as long as nothing leaves the building. It welcomes several hundred thousand visitors annually, students, researchers, tourists, curious people of all kinds. It's also a place of life, with exhibitions, literary encounters and regular film screenings. The queue to access BPI during peak hours has itself become a sign of its popularity.
3.6 IRCAM, the sound laboratory
Few Centre Pompidou visitors know it: integrated into the Beaubourg complex is IRCAM (1 Place Igor-Stravinsky, 75004 Paris, rated 4.3/5 on Google), the Institute for Research and Coordination in Acoustics/Music. Founded in 1969 and inaugurated at the same time as Beaubourg, IRCAM is a unique musical research and creation center in the world, working at the intersection of contemporary music, cognitive sciences and new technologies.
Its laboratories are largely underground, hidden beneath Place Igor-Stravinsky. IRCAM organizes the ManiFeste festival each year, an essential event of the contemporary music scene. Guided tours of its spaces are regularly offered to the public, allowing discovery of its recording studios, its modular hall with exceptional acoustic properties and its research laboratories. For contemporary music and sound innovation enthusiasts, a stop at IRCAM is an experience in itself during a visit to Beaubourg.
3.7 The Stravinsky fountain and the piazza
Before even entering the building, the visit to Centre Pompidou actually begins on the piazza and around the Stravinsky fountain (Place Igor-Stravinsky, 75004 Paris, rated 4.6/5 on Google for over 16,000 reviews). This monumental public artwork, inaugurated in 1983, is the joint work of artists Niki de Saint Phalle and Jean Tinguely. Sixteen colorful and mechanical sculptures spin and splash in an elongated basin, each representing a musical work by Igor Stravinsky: the Firebird, the Rite of Spring, the Nightingale, Petrouchka... The contrast between Niki de Saint Phalle's round and colorful sculptures and Tinguely's dark metal constructions creates a surprising and joyful harmony that perfectly illustrates the spirit of the place.
The piazza that extends in front of the building is also a space in its own right. Slightly inclined toward the building, it was designed to catch the eye and invite curiosity. Street artists, musicians, calligraphers regularly set up their improvised stage there, transforming this space into a permanent theater of urban creativity. It's here that many Parisians simply come to sit, talk, read or observe the spectacle of the city. A way to enjoy Centre Pompidou without spending a penny.
4. Centre Pompidou anecdotes and secrets that nobody tells you
Behind the institution and its official history hide delicious anecdotes that considerably enrich a visit to Centre Pompidou. Here are some of Beaubourg's best-kept secrets.
The first surprise is the origin of the name. Before its inauguration, the building was officially called 'Centre Beaubourg,' in reference to the district that welcomes it. It's only after Georges Pompidou's death in 1974, in homage to the president who initiated it, that the place takes its definitive name of 'Centre national d'art et de culture Georges-Pompidou.' In Parisians' mouths, it will forever remain simply 'Beaubourg.'
The second anecdote concerns the 1971 architectural competition. Among the 681 projects received, several envisioned very classic buildings well integrated into the Parisian fabric. The selection of the Piano-Rogers project, perceived as a veritable provocation by a large part of the press and cultural world of the time, was a courageous decision. Some critics compared the future building to an oil refinery placed in the middle of Paris, to a ship stranded among Haussmannian buildings. These same detractors were often the first to recognize, decades later, the genius of the thing.
Another little-known detail concerns the building's depth in the Parisian subsoil. To anchor such a structure in Parisian soil riddled with underground galleries, the foundations had to descend to exceptional depth. Centre Pompidou's foundations plunge more than 10 meters below street level, crossing ancient medieval galleries and archaeological remains that required numerous construction adjustments.
Finally, let's mention the facade's chromatic code, whose colors many visitors admire without understanding the logic. This code is not a purely aesthetic choice but a true functional signage system, designed to make readable, from outside, the nature of each network. Blue for air conditioning, green for water, yellow for electricity, red for circulation: the building is, in a way, an open-air architecture lesson. This approach deeply influenced industrial and technological architecture of the following decades, making Centre Pompidou a major milestone in world architecture history.
If Paris's history and secrets fascinate you, know that the Ryo audio-guided circuits reveal, as you walk, the anecdotes and mysteries of the City of Light. An ideal way to complement your visit to Centre Pompidou with a cultural stroll through neighboring districts.
5. Centre Pompidou renovation from 2025 to 2030: closure and Constellation program
On September 22, 2025, after 48 years of uninterrupted service and more than 200 million visitors welcomed, Centre Pompidou closed its doors for a complete renovation that will last about five years. This construction site, decided in consultation with the Ministry of Culture, is one of the most ambitious ever undertaken on a cultural building in France. It aims to bring the building up to current technical and environmental standards, modernize all museographic facilities, improve accessibility and rethink public reception spaces.
The closure was done progressively: underground performance spaces closed first, from March 2025, followed by exhibition galleries and the bookshop during summer, before total closure to the public at the end of September 2025. The 120,000 works in the collection have been transported and deposited in partner institutions in France and internationally, ensuring continuity of loans and exhibitions despite the building's closure.
But a closed Centre Pompidou doesn't mean stopping all cultural activity around Beaubourg. The Constellation program, set up for the entire duration of the works, offers a series of events, urban visits, performances and exhibitions in the district's public space and in partner venues in Île-de-France. Maison Pompidou, installed in the former Atelier Brancusi building (600 m², designed by Renzo Piano), has become the museum's visible contact point during the works: it hosts temporary exhibitions, meetings, screenings and educational activities.
Centre Pompidou's reopening is scheduled for 2030, offering visitors an entirely renovated building, more accessible, more energy efficient and better adapted to 21st-century requirements. Good news for all those wishing to visit Centre Pompidou in the coming years: the works are there to guarantee that Beaubourg will still be there, more beautiful and more welcoming than ever, for the next 50 years.
While waiting for the reopening, take advantage of your Parisian stay to explore the capital's many other treasures. The Musée d'Orsay, the Louvre Museum or even the Père-Lachaise necropolis are just a few metro stations away.
6. Practical information to prepare your visit to Centre Pompidou
Even though Centre Pompidou is currently closed for renovation, here is all the practical information that will apply to your visit upon reopening in 2030. These elements can also prove useful for planning your visit now and preparing for that moment.
6.1 Centre Pompidou visit rates
Access to Centre Pompidou is not free, but several formulas allow modulating the cost according to visitor profiles. Before closure in 2025, the standard adult ticket giving access to the museum, temporary exhibitions and panoramic terrace was offered at €15. A reduced rate of €12 applied to 18-25 year-olds from outside the European Union, job seekers and in certain other cases. Under-18s benefited from entirely free entry, as did European Union nationals under 26. A family ticket (2 adults + 2 children) was offered at €45.
Access to Atelier Brancusi was entirely free, with no ticket required. The Public Information Library was also in free access, without registration or entrance fees. These two spaces will probably remain free after reopening. Thematic guided tours were offered as supplements from €5. If you plan to visit several Parisian museums during your stay, think about learning about the Paris Museum Pass, which includes Centre Pompidou and offers unlimited access to over 50 museums and monuments in the Paris region.
6.2 Opening hours
Before its closure, Centre Pompidou was open every day of the week except Tuesday and May 1st. The museum and exhibition galleries' hours were 11am to 9pm (last admission at 8pm). On Thursdays, temporary exhibition galleries remained open for late-night viewing until 11pm, a very popular formula allowing visits in a more intimate and peaceful atmosphere. Atelier Brancusi had its own hours, generally 2pm to 6pm on working days. It's advisable to check current hours directly on Centre Pompidou's official website, especially approaching the reopening in 2030.
6.3 How to get to Centre Pompidou
Centre Pompidou is ideally located in the heart of Paris, at the junction of Beaubourg, Marais and Les Halles districts, making it very easily accessible from throughout the capital. By metro, the closest stations are Rambuteau (line 11) and Hôtel de Ville (lines 1 and 11), both less than 5 minutes on foot. Châtelet station (lines 1, 4, 7, 11 and 14) and Châtelet – Les Halles station (RER A, B, D) are also about 10 minutes on foot.
Several bus lines serve the district directly: lines 29, 38, 47 and 75 stop at 'Rambuteau – Centre Georges Pompidou.' Vélib' stations are available a few meters from the building, on Rue Rambuteau and Rue Beaubourg sides. Coming from the Louvre area, the walk along Beaubourg's lively streets takes about 20 minutes, offering a beautiful urban stroll. From Notre-Dame de Paris, count about 20 to 25 minutes walking. Car is strongly discouraged: the district's streets are narrow and nearby parking (parking Rambuteau, parking Beaubourg) is often saturated and expensive.
6.4 Practical tips for visiting Centre Pompidou well
Some tips to get the most out of your visit to Centre Pompidou. Booking tickets online in advance is strongly advised, especially in high season (July-August, school holidays) or during highly publicized exhibitions: queues can be long, and online booking allows access to priority entry. Also think about checking Thursday late nights: they offer a calmer and very pleasant atmosphere for appreciating collections without weekend crowds.
Plan extra time for security checks at entrance, which can extend waiting by 15 to 20 minutes during busy periods. It's better not to come with large bags or suitcases: the cloakroom is small and cannot accommodate bulky luggage. Count at least 2 hours for a proper visit to permanent collections, and a complete half-day if you also want to enjoy temporary exhibitions, the terrace, Atelier Brancusi and a café or lunch on site. A visit to Centre Pompidou can easily integrate into a broader program of discovering the Marais district, which you can then explore at your own pace.
7. What to do around Centre Pompidou: Beaubourg and Marais districts
A visit to Centre Pompidou cannot be limited to the building alone. The surrounding district is one of the capital's richest and most lively, mixing medieval history, contemporary effervescence, gastronomy and culture. Le Marais, very close, is one of Paris's most endearing districts, with its Renaissance mansions, art galleries, designer boutiques and lively nightlife. A stroll through the streets of Beaubourg and Marais is the ideal natural complement to a visit to Centre Pompidou.
A few steps from Beaubourg piazza, don't miss the Stravinsky fountain and Place Igor-Stravinsky, already mentioned. Right next door, IRCAM offers concerts and visits throughout the year.
Going north, you'll quickly reach Centre Wallonie-Bruxelles and the Clock district, with its famous automaton of the Clock district (Rue Bernard de Clairvaux, 75003 Paris), a monumental mechanized work from the 1970s that few visitors know. Going down toward the Seine, you'll reach Marais's historic heart, Place des Vosges — Paris's oldest royal square, built under Henri IV at the beginning of the 17th century — and the multiple museums that dot the district: Musée Carnavalet, Musée Picasso Paris, Musée de la Chasse et de la Nature.
Le Marais is also the gastronomic district par excellence for lunch or a gourmet break after your visit to Centre Pompidou. Rue des Rosiers, historic heart of the Parisian Jewish quarter, offers excellent falafels and pastrami that delight gourmets. Further on, trendy restaurants on Rue de Bretagne or the Saint-Paul district will delight all palates. Paris's culinary specialties are ideally tasted in these small neighborhood addresses that make the capital's charm.
If you wish to continue your cultural exploration of Paris beyond Centre Pompidou, the capital abounds with equally fascinating museums and monuments. 20 minutes walk to the west, the Louvre Museum and its some 35,000 exhibited works constitute one of the world's most epic museum experiences. To the south, crossing Île de la Cité and its medieval remains, we reach the Musée d'Orsay and its Impressionists. Lovers of the unusual will go explore the mysterious Catacombs of Paris or stroll among the cenotaphs of Père-Lachaise cemetery.
To not miss any of Paris's riches during your stay, think about relying on the Ryo audio-guided circuit for visiting Paris. By exploring the city at your own pace, you'll discover not only emblematic monuments, but also the anecdotes and hidden stories that make all the flavor of a visit to the City of Light.
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In conclusion, visiting Centre Pompidou is much more than spending a few hours in a museum. It's an encounter with one of the 20th century's most audacious architectural and cultural adventures, a plunge into artistic currents that redefined our way of seeing the world, and an immersion in one of Paris's most vibrant districts. If the building is currently closed for necessary and ambitious renovation until 2030, Beaubourg's spirit continues to radiate in the district, through Maison Pompidou, the Constellation program, Stravinsky fountain, IRCAM and Marais's bustling life. And for all those visiting Paris while waiting for the grand reopening, Ryo audio-guided itineraries remain the best travel companion for exploring the City of Light on foot, in complete freedom, with curiosity and pleasure.
FAQ — Frequently asked questions about visiting Centre Pompidou
Is Centre Pompidou open in 2025 and 2026?
No. Centre Pompidou closed its doors to the public on September 22, 2025 for a vast renovation that will last about five years. Reopening is scheduled for around 2030. During the construction period, the Constellation program offers cultural activities in Beaubourg district's public space and in partner venues in Île-de-France. Maison Pompidou, installed in Atelier Brancusi building, remains open with a program of exhibitions and events.
How much does admission to Centre Pompidou cost?
Before its closure in 2025, the standard adult ticket giving access to the museum, temporary exhibitions and panoramic terrace was offered at €15. The reduced rate (18-25 years old outside EU, job seekers, etc.) was €12. Under-18s and EU nationals under 26 benefited from free admission. A family ticket (2 adults + 2 children) was available at €45. Access to Atelier Brancusi and the Public Information Library was free and without reservation. These rates are subject to change upon reopening in 2030.
How much time should you plan to visit Centre Pompidou?
For a proper visit to permanent collections, count at least two hours. If you want to include temporary exhibitions, the panoramic terrace, Atelier Brancusi and a lunch or coffee break on site, plan a complete half-day, about 4 to 5 hours. For contemporary art enthusiasts wanting to really soak up all the spaces, a full day is not too much.
Is Atelier Brancusi accessible at Centre Pompidou's reopening?
Atelier Brancusi has a particular history during the renovation period: the building that housed it was transformed into Maison Pompidou to host temporary exhibitions and events during construction. Upon Centre Pompidou's reopening in 2030, Atelier Brancusi should return to its original purpose. Its access was free before closure, which should remain the case upon reopening.
What public transport allows reaching Centre Pompidou?
Centre Pompidou is very well served by Parisian public transport. By metro, the closest stations are Rambuteau (line 11) and Hôtel de Ville (lines 1 and 11), 5 minutes walk. Châtelet station (lines 1, 4, 7, 11, 14) and Châtelet – Les Halles station (RER A, B, D) are about 10 minutes walk. Bus lines 29, 38, 47 and 75 stop directly at 'Rambuteau – Centre Georges Pompidou.' Vélib' stations are available a few dozen meters from the building.
What to visit around Centre Pompidou after the visit?
Beaubourg district and its surroundings offer many possibilities to extend your cultural day. The Marais district is a few minutes walk away, with its mansions, Place des Vosges, its museums (Carnavalet, Picasso Paris) and art galleries. The Louvre Museum is 20 minutes walk to the west. Stravinsky fountain and IRCAM are directly accessible from Beaubourg piazza. Finally, to discover Paris as a whole autonomously and with commentary, the Ryo audio-guided circuit is the ideal companion to extend your exploration of the city.
Is Centre Pompidou suitable for children?
Yes, Centre Pompidou has offered numerous activities dedicated to young audiences since its beginnings: creative workshops, guided tours adapted to children, thematic routes, games and discovery booklets. The Children's Gallery, space specially designed for 6-12 year-olds, stages contemporary creations in a playful pedagogical context. Under-18s enter free. Stravinsky fountain, with its colorful sculptures and water jets, is a place of life much appreciated by families. Upon reopening, these facilities should be further enriched as part of the renovation.
Can you take photos inside Centre Pompidou?
Photography is generally allowed in Centre Pompidou's permanent collection spaces, provided you don't use flash and don't photograph works for which specific prohibition is indicated (generally for copyright reasons). In temporary exhibitions, rules vary according to rights negotiated with artists and lenders. Exterior spaces, the piazza and 'The Caterpillar' escalator are of course free of rights for personal photography.